Where printmakers from all over the world can get their heads together
Mel Strawn left a comment for Susanne Khouri
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Anneliese hough left a comment for Susanne Khouri
Anneliese hough left a comment for Susanne Khouri
Anneliese hough left a comment for Susanne Khouri
Anneliese hough left a comment for Susanne Khouri
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Tobey C. Anderson left a comment for Susanne Khouri
Tobey C. Anderson commented on Susanne Khouri's blog post No Title
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Mike Booth commented on Susanne Khouri's blog post No TitleWell. It is now a long week-end since I wrote about art "light as air".
Now it bothers me to think that I produce work which is like that. Where is the strength, where is the impact factor? So there you go, things change. I'm going to look at the works again with new eyes and perhaps work something into them which brings that thing out of me which has character rather than Pavlova meringue air.…
ContinuePosted on January 31, 2011 at 12:30am
There is a dessert in New Zealand and Australia which is called "Pavlova". The name comes from the famous ballerina who made ballet look weightless. This dessert is a kind of crackly meringe but is soft on the inside which makes it a little tricky to make. I have never attempted this myself but it is a popular dish. It occured to me today that, after some very trying times in my studio, that I quite would like my work to be - light as air. Today I…
ContinuePosted on January 28, 2011 at 3:51am
The definition of a printmaker.
I received an invitation to take part in an award. The condition was that you had to send four prints with 40 editions each. It made me think about the definition of a printmaker. I am a screenprinter and I make one offs - no editions. Some people make monoprints, also one offs. Other people paint on their prints or print on their…
ContinuePosted on January 24, 2011 at 2:57am — 9 Comments
New Zealand arts and craft, from the eyes of an immigrant.
Today, Friday 10 December, I walked through Auckland city, my home town. I had a look at some of the shops that sell handmade New Zealand stuff. Jewellery, ceramics, textile, glass, furniture, linen - so much. My impression was overwhelmingly how beautiful and well thought out everything was. Gone is the homemade "half pie hippie" sort of look. These objects are…
ContinuePosted on December 10, 2010 at 5:30am
Mel Strawn said… Susanne:
I finally, I think, answered answered your question to me on Print Universe (re blog and web sites for you to peruse). Let me know...?
Anneliese hough said… You certainly seem to have a great handle on colours now! I am looking at doing photopolymer work with CMYK separations this term. To be honest I don't have my head around it yet, but I am sure once I start working on it, it will make sense!
Now that I have discovered printmaking I almost send myself into a state of panic thinking about all of the things I want to do and learn! Silly huh?! :)
I am going to be coming to Auckland at the end of September for a Roller derby training camp and game. Maybe we could catch up for a coffee and talk print? It would be great to meet you.
Anneliese hough said… Hi Susanne,
Haha, it is funny- I tried screenprinting this week and didn't like the messy feeling of the white textile ink I was using. But I love inking up plates in oil- with no gloves. Funny how different we all are.
Yes the picture is of me and I am familiar with Cindy Shermans work. It is interesting how many women use their own figure in their work...often to express an idea rather than a completely personal reason. I would like to be better at mixing colours. I try to write down the mixes I do use in the hope that i will understand the alchemy.
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